pete's metal reviews...
FOG: "Through The Eyes of Night" (WWIII records)
Possibly the best semi-major release american black metal out this year so far
that I've heard, this is very solid raging metal that manages to bridge the line
between aggressive and melodic without losing cohesiveness. Very influenced
by the nordic brand of metal, I hear definite chord structures of early Satryicon
and Darkthrone; those meandering top notes
over basic minor chords giving a slightly more
interesting feel than typical black metal sounds. The
melodies are flowing classically-based at times, and
at others atonal; giving a breath of creativity to a
dangerously formulaic tonal landscape. Very good
listening the whole way through, with scant decent
acoustic parts (only an intro or two). No keyboards or
clean vocals.
DIABOLICAL: "Synergy" (Mercenary Music)
A very excellent melodic death release from sweden,
incredibly similar to Carcass' "Heartwork" in a good
way. The riffage is a typically Swedish cadence of
melodic minor scales in simple harmonies; giving that
sound of power metal melody without the glam. The
instrumentation remains solid and acceptably brutal,
allowing the "Gotenburg" style of percussive melody to
shine through. Not overly creative, but a very solid
release nonetheless. Of any album to clone and
crossbreed, "Heartwork" is an excellent choice.
NECROPHAGIST: s/t (self-released)
Quite possibly the most brutal, technical death metal
to come out of a one-man-outfit, ever. I have never
heard a tighter fusing of brutality and technicality
in many a year; perhaps since my ears were first
deflowered by the immortal Suffocation. The riffs on
this album sound like solos, and the range of atonal
classical death metal anger to come out of one guy in
a studio with a meticulously programmed drum machine
(it took more than a few listens before i was even
sure it was a drum machine), a bass, and a guitar so
riff-overladen, are simply amazing. This is crushing
cleanly-recorded modern death metal at a near-pinnacle
of brutality. Sometimes available at www.blackmetal.com, and nowhere else, this is astounding work
from the metal-soaked state of Florida.
SETH: "L'excellence" (self-released, re-released on Moonfog productions)
Quebec is home to some amazing black and death metal,
as well as some of the best metalized hardcore (very
few of which i can stand). Seth brings this point home
with a solid release of unrelenting melodic black
metal. The sonic structure is a perfect mix of
well-produced instrumentation while still maintaining
the reverb-soaked black metal aesthetic. Classically-influenced melodic structure over a
flowing template of chords sometimes unexpected give
this band an edge over other predicable releases in
the genre. Between songs are quick samples of strange
industrial/electronic tones, and then right back into
their brand of quality black metal. Definitely one of
the best black metal discoveries out of Quebec.
FROZEN SHADOWS: "Dans Les Bras Des Immorteles" (self-released)
The other amazing black metal outfit from Quebec is
Frozen Shadows: quite possibly the best new black
metal band I have heard, of many, in the past two
years. They have that ever-elusive mix of all the best
elements of black metal; original melodic structure
that still is both classical and sub-tonal, chord
changes that are both tense and awe-inspiring, raging
percussive blasts, near-minimalist instrumental
sections, and a recording production firmly based in
the otherworldly echoing realms of the best black
metal releases from Norway, grandiose without an
overdose of theatrics or camp. Just find it, if by no
other way than by ordering direct from trier website.
EMPEROR: "Prometheus - The Discipline of Fire and Demise" (candlelight records)
The final offering from the masters of black metal,
Emperor, who broke up after trier most complex and
dense release. Time will tell of the impact of this
amazing outfit from Telemark, but trier gift for the
craft of dark emotive music is legendary even in thier
own time. The release is very diverse, layered,
original, complex, and inventive. I cannot say more.
DIABOlICAL MASQUERADE: "Death's Design Soundtrack" (avantgarde productions)
In the new wave of metal bands getting actual string
ensembles instead of synths to do trier orchestral
arrangements, Diabolical Masquerade stands in a class
of its own. A side-project of Blackheim of Katatonia
that became more musically interesting than the band,
this release is incredibly diverse, almost to the
point of scaring away more traditionalist listeners. Everything from Blackheim's brand of inventive and
surprising black metal with brief interludes into jazz
and atmospheric instrumentals, this album expands the
emotional range into the orchestral soundtrack as well
as the electronic realms. There are clean vocals,
although they mesh well and are not thrown in to sell
more albums to less extreme audiences. Another amazing
release, the best so far from this amazing outfit.
BOLT THROWER: "Honour, Valour, Pride" (metal blade records)
A typical death metal release from a typical death
metal bnad. There is nothing really wrong with this,
somewhat brutal at times, album, but at the same time
there is nothing really to set it apart from a sea of
metal clones in a scene overflowing with uncreative
released passed off as important. Skip this one, or if
a fan, listen before you buy.
TIDFALL: "Instinct Gate" (nuclear blast records)
A very decent no-frills DIMMU BORGIR clone band, they
are out to play some epic strightforward black metal
and write some catchy songs in the progress. There are
some electronic parts with a compelte lack of vision,
and overall there is a severe lack of creativity, but
it's certainly not another new blackmetal band that
sucks; they're just a little above average, that's all.
DIABOLICUM : "The Grandeur of Hell" (napalm records)
A side-project of the raging black metal outfit
SETHERIAL, this is an amazing blackmetal project of
epic depth and power. Very agressive the whole way
through, with percussive tracks more industrial in
parts than blackmetal, but still just raging blasts to
make the kids happy. Excellent layered melodies and
harmonies in abundance, as well as a hint of jazz and
classical structual theory that makes great blackmetal
stand apart from it's pop or crusty clones. Definitely
worth the hunt to find, as this is a hard album to
find on napalm, it may even be recently out of print.
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